Ayna Ayna Söyle Bana?
1990’lardan bu yana “ayna” içeren işler üretmeyi sürdüren İsmet Doğan’ın bu dışbükey aynaları kullanma nedeni, dünyanın derinliğini ...
AUTOS
AUTOS
Il n’y a pas de hors-texte
There is no outside-text
Jacques Derrida / Out of Grammatology (1967)
İsmet Doğan confronts the viewer with the sup...
LACK
LAPSUS
My work is a critisim of modernity. Or a hermeneutic reading, Language and history are problematical. In fact the point where ablow needs to be struck is, according...
PATRIARCHAL
The Name of the Father
Melancholy cannibalism … accounts for this passion for holding within the mouth (but vagina and anus also lend themselves to this control) ...
WOUND
CINEMATOGRAPHY
ALTERING CINEMATOGRAPHIC MATERIALS
Fragmented Images
Hollywood aesthetic became part of our cultural identity and memory. The artist is distorting the illusion of...
IMAGO
ALL IS EXTERNAL
Dark green, almost black background, the parts of orientalic pattern on it are barely visible. Two red cracks of the canvas catch viewer’s eye since resemble a w...
APPROPRIATION
Sanat Yapıtının Bulanık Bilimi... Velázquez ve Doğan
Ben Öteki’de, Öteki Ben’de çözünmüştür: Ben’in bakışı Öteki’nin bakışıdır, Ben’in bedeni Öteki...
"SURET"
BLEEDING
BLEEDING THE ABJECTION OF FRAGMENTS
The bodies which have been fragmented or are going to be subjected to fragmentation are very common in Doğan’s paintings which c...